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slippery when wet

Max Barry wrote the novels Syrup, Jennifer Government, and Company, and the serial Machine Man. He also created the online game NationStates and once found a sock full of pennies.

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Thu 04
Mar
2010

My Stupid Industry

Writing Lately the publishing industry has been trying to commit suicide over electronic rights. It’s funny because every time in history a revolutionary new way to do business comes along, the first instinct of all established players is to strangle themselves with it. Movie studios fought the VCR. Microsoft fought the Internet. The music industry fought MP3s. TV networks are fighting PVRs. Eventually, these turn into important markets, fully embraced by the companies that tried to kill them. But until then everyone spends a lot of time throwing lawyers at anything that doesn’t look like a traditional business model.

The first e-madness was DRM, of course. That’s the code they wrapped around electronic books to ensure they couldn’t be pirated. Well. “Ensure” is a big word. I’m not sure that any piece of DRM in history has survived an interested hacker. What it did ensure was a steady trickle of emails to my inbox from people who couldn’t find an electronic copy of Jennifer Government in the right format for their device, or could but after they paid their money it didn’t work.

Next came e-delays, where publishers held back electronic versions for four months following print publication. “The right place for the e-book is after the hardcover but before the paperback,” said Simon & Schuster CEO Carolyn Reidy. This is a brave counterpoint to the more common wisdom that the right place for selling something is wherever customers want to buy it. So we were not just restricting e-books to particular formats within particular territories, but also to particular windows of time.

But that wasn’t enough. Publishers didn’t like the fact that Amazon.com started selling e-books for $9.99 each. (They thought that was too cheap, if you’re wondering.) It didn’t affect publishers’ margins, nor authors’ royalties, since Amazon.com was selling below cost to promote its Kindle platform. But still, publishers were uncomfortable with the idea of books being that cheap. So they went to war and forced Amazon.com to bump up prices to $13-$15, in exchange for taking a lower royalty on each sale.

Let’s review. Amazon.com was eating it in order to allow you to buy books for ten bucks, instead of twenty or thirty, while paying authors the same royalty. Publisher intervenes, and now books are more expensive for you, while the author gets less. Also, the publisher gets less. Oh, and I didn’t mention this, but during the war, Amazon.com took down all the “Buy” buttons for Macmillan books, so you definitely couldn’t buy them no matter how much you wanted to and nobody made any money at all.

I won’t say it’s impossible for an industry to push retail prices up while pushing their own margins down and be successful. I’ll just say that’s not the way it usually works. Also, as a general rule, when customers want to buy a product, it usually works out best if the company lets them. I don’t think there have been too many examples of companies making money while refusing to sell their products in the formats their customers want while also forcing retailers to charge more and pocketing less themselves. I’m not sure. But that’s my feeling.

Meanwhile, rocked by the Global Calamitous Money Disappearing Event, publishers began cutting back what they do. Ten years ago, a publisher gave hopeful authors editorial advice, a printing service, a promotional budget, and access to bricks and mortar bookstores. There was really no viable alternative, short of becoming a small publisher yourself. To become a successful author, you needed a publisher.

Today, the promotional budget is more likely to involve encouragement to do something on the internet rather than a book tour. Publishers are still fantastic at getting you into bookstores, and physical books still comprise the vast majority of the market: you need them for this. But in e-books, you can click “Export to EPUB” as easily as they can, and without giving up 75% of revenue.

Also, publishers are getting less willing to make risky bets. Instead of taking an unknown author and striving to find her an audience, they want authors to establish their own audience in advance, via a website or similar.

Now, publishing is full of terrific, smart people who love books and want to promote authors. I haven’t met a single person in publishing I didn’t like. I even love my old Viking editor, who dumped me via relayed e-mail message. I forgive you, Carolyn. I really do. But the people in charge there are trying to sue the VCR. If publishing gets tomorrow everything it wants today, it will be smaller and less relevant. Imagine the world in in ten years, when e-books are 50% of the market: What will publishers offer authors? Not the ability to find an audience, if they’re pushing that onto authors. Not the distribution network: anyone can get their book into an electronic store. Not promotion; or at least, not much of it. That leaves editorial and distribution of hard copy. Not to be sneezed at, for sure. Editorial in particular is often the difference between a great book and a mediocre one; I can attest to that. But if I’ve got a web site and a hundred thousand visitors, I’d think seriously about whether editorial and print is worth giving up 90% of my income. I would, at the least, drive a harder bargain with a publisher than if they were providing more services I really needed.

The publishing industry is trying to think long-term, like every industry that faced a revolutionary change before it. But please, this time, can we not batter ourselves to death? It’s not that complicated, Publishing. I write stories. I want people to read them. I want as many people to read them in whatever format they want, wherever they want, as cheaply as possible, while I earn a living. I don’t want lower royalties in exchange for higher retail prices. That’s the opposite of what I want. I don’t want to get emails from people saying they wanted to buy my e-book but they couldn’t because it wasn’t available or didn’t work. This is text. It’s not hard to put text on an electronic device. It’s only hard because you make it.

Thu 11
Feb
2010

Fiction For Short Attention Oh Look At That Laughing Dog

Writing Tower of BooksSince I got a iPhone, my bedside table has turned into a tower of books. It was always pretty bad. But now it’s worse. Look at that. It’s a fire hazard. One day I’ll toss a cigarette in there and it’ll be a conflagration. Not that I smoke. That’s the only thing saving my life.

The problem is when I go to bed, instead of picking up a book, I think, “I’ll just check Reddit.” Or Twitter. Or the news. Or Facebook. Or my email. Not or. And. I check all those things. I have 65 apps. I just counted. Halfway, I thought, “I wonder if there’s an app for counting your apps.” I was tempted to take 20 minutes and hunt one down, so I wouldn’t have to waste ten seconds the next time I need this information. You see what’s going on here. It’s a sickness.

It’s got me thinking I should do more short attention span fiction. Maybe another serial, like Machine Man. Firstly, because that was fun as hell, in a terrifying kind of way. Secondly, because I’m rewriting it as a novel, and it’s pretty great. I already have the story. Now I get to play around in all the spaces I skipped over because the serial had to go go go. It’s a good system.

But thirdly because maybe no-one has the time to sit down with entire novels any more. Or rather, maybe there is a class of people, to which I belong, that is becoming addicted to bite-sized information delivered by scattershot. I hope there’s a class. I hope it’s not just me.

Not that it has to be one or the other. I’m not saying that once you sign up to Facebook, you abandon Margaret Atwood. Although I have done exactly that. The Year of the Flood is just sitting there. What I mean is that the novel seems to be getting more competition. The novel is very strong, of course; there is no replacing the novel. But the competition is pretty great. The internet is everything in bite-sized pieces. It’s candy-flavored stream of consciousness of whatever you want.

And increasingly the same device will access both. I’m having trouble getting to novels just because an iPhone is in the same vicinity. What happens when my books are actually on my phone? Or in my iPad? When I’m one swipe away from the web, will I still be able to completely sink into a novel? Plenty of times I’ve slogged my way through a book that wasn’t really holding my attention just because it was there, in my hands. I don’t think I’d do that on an iPad. I think I’d tap that bastard into oblivion and answer an email.

So I am interested in fiction that works with the internet, rather than fights it. Something that doesn’t sit there, 400 pages heavy, asking for a seven-hour commitment before I start. That’s the kind of fiction I’d like to read right now. Something that sneaks under my guard and pries me away from memes and status updates. I would like to find that.

Fri 05
Feb
2010

My Kid Says the Darndest Things

Max I have a little parenting problem. I need some advice. The other day I was out walking with Finlay (four years old; I know, I can’t believe it either) and an elderly woman stopped to coo over her. This woman was clearly someone’s grandmother. She was matronly. I’m thinking of the word “battleship.” You know what I’m getting at.

“So cute,” said the grandmother. I said thanks and Fin said nothing and the woman began to move away. Then Fin said, “She’s got big boobs.”

Into my stunned silence, Fin added, “Really big boobs.”

A few days later, out with her mother, Fin remarked about a passer-by: “She has large upper arms.”

Before that, on a train: “Look at that little person.”

We’ve tried to raise her to believe there’s nothing wrong with people who look different. That differences are interesting but not shameful. That seems to be working. It’s working a little too well. What do I do now?

I don’t want to tell her that some people are embarrassed about how they look. That starts with “are” and ends with “should be.” I can see a case for not commenting on people’s weight, because being very over- or under-weight is unhealthy, and we’ve talked about health and eating balanced meals. But I know she’s going to spend her life drowning in messages about body size, and she doesn’t need that yet. Also, it only deals with the “large upper arms” comments, not the “Look at that little person” ones.

My feeling is that while there is nothing wrong with being a three-foot-tall grownup, and it is interesting, they probably don’t want to be singled out for it all the time. But maybe this is my hangup. I wouldn’t be offended if a four-year-old pointed at me and said, “That man has no hair,” but if his mother acted embarrassed and tried to shush him, I would. Because she would be making it into a bad thing. Maybe it’s the same with everything.

But that leaves me, what? Smiling at amputees after my kid points out they have no legs? Saying, “Yes, you’re right,” when she remarks on the size of an obese man’s buttocks? This is a minefield. What do I do?

Fri 22
Jan
2010

The Lawnmower People

What Max Reckons I was all set to do a blog about how using Windows is like growing evil tomatoes, then American corporations became real people. They’ve been people for a while, of course: they have the right to own things and sue you and claim they’ve been defamed. Your chair can’t do that. A corporation can, because it’s a person.

But they weren’t enough of a person, apparently, so now they have First Amendment rights. In particular, they have the right to spend as much money as they like on political advertising: airing ads in favor of anti-regulation candidates over pro-regulation ones, for example.

I find it helpful to think of corporations as lawnmowers. Lawnmowers are good at cutting grass. It’s all they want to do. They’re not very concerned about what gets in the way of cutting grass. If, for example, we discover that one of the lawnmowers sometimes kills people, the lawnmower would rather pretend there isn’t a problem than stop mowing lawns. It seems callous to us. But you have to remember, it’s not a person. It’s a lawnmower.

Corporations pursue profit; the fewer people watching, the more ruthlessly they do it. It’s not coincidence that Apple is a relatively nice corporation and Halliburton is not. It’s not that Apple was raised right while Halliburton had a distant father. It’s that Apple’s profits depend more heavily on consumer opinion. It can’t make money unless it’s likable, so it is.

I think lawnmowers are useful. I don’t want to get rid of them. But I very much want to keep them on the lawns.

The Supreme Court has let them into homes: now the lawnmowers will speak to us through TV, radio, internet, print, and tell us who to vote for. That might not seem like a problem. After all, you are a smart person. You’re probably not persuaded by advertising. The thing is, everyone thinks that, and advertising is an $600 billion industry. Someone, somewhere is getting $600 billion worth of persuasion.

It’s pretty obvious that lawnmowers will back pro-lawnmower candidates. They are functionally and legally prevented from doing anything else. In fact, now that the opportunity exists, lawnmowers are compelled to exploit it.

Honestly, I had started to think that the world of Jennifer Government was getting far-fetched. It seemed like corporations were not overpowering the government at all; instead, the two were slowly merging into a govern-corp megabeast. But this changes things. Until now, corporate lobbyists have essentially stood in opposition to voters: politicians wanted lobbyist money, but resisted giving in too much for fear of being punished at the ballot box. Now corporations can work it both ways. They can buy off the politicians and sell the voters on why that’s A-OK. They won’t have to come up with the media messages themselves. That’s a job for the ad agency. All they’ll do is write up the ad brief, spelling out what they want people to think, and sign the checks.

Supreme Court Justice John Paul Stevens, in handing down a dissenting decision, raised the prospect of corporations being given the vote. Since, after all, they are people now. We might as well. A single vote is nothing compared to what they’ll do by bringing their wealth to mass persuasive political advertising.

It’s interesting to note how corporations get to pick and choose the good parts of being a person. They can own property but can’t go to prison. They can sue you into bankruptcy, which you have to live with for the rest of your life, but if you win a big case against them, you get nothing while they reconstitute their assets and arise, Phoenix-like, under a new name. If you misbehave, you are personally responsible; a corporation jettisons a minor component it says was to blame. There is no ending them. This is the kind of personhood you would choose, if you could. It’s what happens when people making laws about corporations are themselves beholden to corporations.

It’s not evil, exactly. It’s just everyone doing their jobs. It’s just the way the system works: the system that is increasingly designed by lawnmowers.

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